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And so the Green Dragons’ legacy becomes the bleakest sort of social advancement imaginable, as they seize fame and fortune in the only way they know how. Because of their minority status, the gangs are largely shielded from the prying eyes of the law, but that lack of official respect or even recognition - apart from Liotta’s FBI agent or a dogged Chinese-American cop (Jin Au-yeung) - is its own incitement to further violence, as is America’s hostility to immigrant populations in general. Indeed, the Dragons’ cynical awareness of their expendability in the eyes of the law represents easily the film’s most intriguing element, adding a thin sheen of sociological insight to an otherwise routine pileup of carnage. Steven makes an even graver mistake when he accidentally guns down an innocent bystander, breaking one of Chung’s cardinal rules: Never kill a white person, which will surely attract police and media attention in a way that Chinese deaths will not. Sonny finds himself falling for Tina (Shuya Chang, flat), the fetching young daughter of a lower-ranking Dragon ally whose bumbling missteps will land all of them in hot water. A Flushing-based rival gang, the White Tigers, supplies a steady stream of skirmishes and shootouts. Loo and Lau follow this grim tale along its fatalistic and familiar trajectory, replete with elaborate twists and double-crosses that always seem to complicate rather than deepen the story. Another powerful player here is Snake Head (Eugenia Yuan), the boss lady who oversees the Dragons’ human-trafficking empire. Chung (Leonard Wu) and the cooler, more calculating Paul Wong (Harry Shum Jr.). By 1989 they’re prized lieutenants in an army led by the ferocious, unpredictable Chen I. Their induction rituals are gruesome beyond belief, but the boys are too frightened, and also too aware of their limited options, to put up much of a fight. Our guides to this scuzzy world of nonstop crime and erratic punishment are Sonny (Justin Chon) and Steven (Kevin Wu), best friends who are recruited by the Green Dragons at a tragically young age (they’re played as kids by Alex Fox and Michael Gregory Fung, respectively). The Dragons modeled themselves after the Hong Kong triads as well as countless gangster-movie tropes, and their activities are depicted here in swift, frenzied montages: When they’re not covering themselves with tattoos or cavorting with molls and prostitutes, we see them shaking down local businesses for money, smuggling immigrants and even concealing heroin in Chinese moon cakes. As laid out in Fredric Dannen’s detailed 1992 New Yorker account (the authoritative basis for Loo and Michael Di Jiacomo’s patched-together script), the Green Dragons were a ruthless street gang in Elmhurst, Queens, consisting primarily of first-generation Chinese youths whose awareness of their third-class citizenship bred a particularly menacing form of social rebellion.
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The film grossed HK$7,385,637 at the Hong Kong box office during its theatrical run from 13 to 26 September 1990 in Hong Kong.And is it ever. The film has received a 100% on Rotten Tomatoes based on user ratings. So Good Reviews gave the film a mixed review praising its hard boiled style action but stating these are the only aspects worth remembering. Fan also unintentionally learns of Hoshida and Shirley's relationship and Fan decides to battle to death with the Yakuza. Unexpectedly, Brown betrays Fan, and the Yakuza tries to kill Kit and Fan and later kills Kit and Cindy. When Browns learns about this relationship, he tells Fan to depart from Hong Kong and let him negotiate in Japan. Hoshida, who was originally named Pu, was Shirley's ex-husband when the former was a triad member in Hong Kong.
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It is revealed that Brown actually engulfed a huge sum of money from a Japanese company, which leads Yakuza member Hoshida ( Michael Chan) to Hong Kong to find out the truth. Kit also knows Shirley and gradually falls for her daughter, Cindy ( Regina Kent). Fan also takes the opportunity to see his ex-lover, Shirley ( Kelly Yiu). Along with Brown's adopted son, Kit ( Andy Lau), they go through several investigations and finally rescues the child, which Brown is grateful about. When retired police detective Fan Chi-hung ( Alex Man) hears that his former superior Brown's (Roger Ball) son has been kidnapped, he comes back to Hong Kong from the United States to assist in the rescue.